FESTIVAL SÂLMON - Plató - Dissabte

15:0020:00 h
Lloc: Mercat de les Flors
Carrer de Lleida, 59, 08004
Barcelona
Preu: De 8€ a 12€
Arts en Viu

La sala MAC del Mercat de les Flors es transforma en un plató de televisió i escenari performatiu on creadores i espectadores construeixen conjuntament un artefacte artístic, alhora que generen un programa de televisió particular. Un espai experimental, una investigació sobre el llenguatge televisiu en relació a les arts vives, una llarga sobretaula o un pla seqüència salvatge on hibridar formats i disciplines dins i fora de camp. Dijous, l’equip del festival dialogarà amb la programació del plató, focalitzant la mirada en les transicions tècniques com una seqüència de moviment.

Cinc hores de programació ininterrumpuda amb una pausa de 17h a 17.30h. Accés al Plató a les 15h i a les 17.30h.

DESCARREGA’T EL PROGRAMA

DISSABTE 20

Plató
Mercat de les Flors
Sala MAC
Durada: 5 hores

Accés al Plató: 15h i 17.30h
DIRECTE! De 15h a 20h també podràs seguir gratuïtament el que succeirà al Plató des del web del festival al Directe
*el programa no quedarà penjat a la carta per a visionats posteriors.

A betevé de 17.30 a 19.30h

TELETEXT
Ingrid Guardiola
L’activitat cultural és la punta de iceberg d’una incalculable massa d’opinions i comentaris que les xarxes socials han multiplicat. Rampells i infoestímuls fugaços que no sempre ens ajuden a copçar el quid de la qüestió. Amb la internet social els criticons han proliferat, però també els setciències que fan de les recomanacions algorítmiques d’algunes plataformes de continguts la seva cantera discursiva. És posible comentar la programació sense reproduir aquests models? Des de l’anàlisi crítica, com si es tractés de fragments d’un discurs, a la vegada, quirúrgic i amorós? Aquí es tracta de posar programació del dia sota el focus d’Ingrid Guardiola que, segons ella, fa el que pot, ni més ni tampoc menys.

SOROLLAR
Isabel Do Diego
“DEPUEBLO”
The noise of the programme, live sound performances with different guest musicians.
From Andalusia, Isabel Do Diego deploys austere, brutalist folklore in a musical debut DEPUEBLO, generated by the dialogue between a ritual body and a prosthetic body. A sound habitat where living beings coexist timelessly alongside machines.
isabeldodiego.com

SOAP OPERA (CHAP. 3)
Guillem Mont de Palol,
Márcia Lança and Daniel Pizamiglio
A three-episode television series, created in the absolute present during three consecutive days for the Sâlmon21 TV Set. The participating artists will write, direct and perform from the starting point to the final product, without any prior agreement or script. The space will be transformed into a photographic film where all the gestures and actions of the three performers will be recorded and edited in the retina of the television viewers.

TEATRON
Marta Echaves, HJ Darger
(El Bloque TV)
Reflections and critical approaches to the phenomena of the performing arts.
Are you sick to death of looking through the listings and finding mostly musicals, stand-up comedians, versions of Shakespeare in leather jackets, contemporary dance from the time of the Barcelona Olympics, and zombie culture in general?
tea-tron.com

VISIONS
Olga Mesa
“La mesa propia. Danza de manos”.
Projection of video works that meander between disciplines.
“Una Mesa Propia (danza de manos)” és un quadern de notes fílmiques en moviment. El motor d’aquesta història sorgeix d’un diàleg còmplice amb la meva mare, la poeta asturiana Marián Suárez, a través d’un protocol de lectura a distància iniciat al començament de la nostra quarantena, el març de 2020. D’aquesta doble lectura en veu alta, va sorgir un ritual que anomenem “dansa de mans”.

VERSIONS
Vicente Arlandis / Taller Placer
“El esfuerzo constante de ganarse la vida”
Presentacions performatives adaptades especialment al Plató.
El esfuerzo constante de ganarse la vida is a performance where I try to work as little as possible, just enough and what I consider reasonable. I will tell you what I think of the profession, the dancer’s work and the abduction of our time. I’ll tell you what it feels like when you repeat the same action in a factory for eight hours a day or how your body ends up when you dance in the same show for five years.
tallerplacer.com

ART TAPE
Norberto Llopis
“All things” (an exerpt)
Norberto Llopis brings his work into play as material for a production in a TV studio. An invitation to distort and displace his own work by using it within the framework of a live TV show. To do so, he has chosen some excerpts from a 2014 piece, All things; Archaeology of a space object, which he will have to repeat, rehearse, version, and translate into the language of the studio. Through the live production of the images and sound, with the resources that this context is able to place at the service of movement on video, it is intended, incidentally, to pay a kind of tribute to the video dance of the 90s.

TIME OF GOING TO BED
Roger Pelàez
The time of going to bed is the time when we discard everything we are meant to be, everything that is random, false and parasitic in ourselves, and we are left alone with our own insignificance. The time when we are most fragile. “I will come with my cries, my stutter, my monotonous syllables … You will be ill in a new hospital, you will lie dying on a stone bed and you will be victims. I will be the worm and you will be the wood.”

VERSIONS
Quim Pujol
“Negre Croma”
Performative presentations specially adapted to the TV Set.
Colours are a cultural construction that consists of identifying and naming a certain wavelength of the light spectrum. Based on expressions related to colour, this live action highlights the intersections between matter and culture. The same as with the chroma screen, Negre Croma is a surface on which anything can be projected.
tea-tron.com/quimpujol/blog

FESTIVAL SÂLMON – Plató – Dissabte