María Muñoz and Pep Ramis are a group of shared scenic creation that since 1989 have developed their own artistic language through movement and the creation of dramaturgies that include text, original soundtracks, construction of spaces and unique artefacts. They are, at the same time, a duo and a community.
Ric Allsopp, in the publication that Es Baluard made in 2022 in parallel with the “Before Words” exhibition, talks about Mal pelo exhibitions as refuges and temporary areas; Carlota Subirós understands company as a territory, as described by Vinciane Despret in her book Viure com els ocells (2022, Arcàdia), as a matter of expression.
“The Bluebird Call” is a pamphlet that, on the one hand, reflects on the condition of the migrant through John Berger; and, secondly, it gathers the experience of more than thirty years of career: what does it mean to dance when the body becomes a space of resistance? What does an artistic career mean and, in this case, what survives of the initial motivations? Where do you look from and what language do you speak? What has become of the artistic community – nomadic and multidisciplinary – that has always orbited around the company?
