Riccardo Nannnini’s new proposal, “The Happy Islands”, continues the path traced in previous works. In this series of new paintings the theme of the individual and continues with his exploration; this time, literally isolating his characters, in small groups or singularly, and literally isolating his characters, either in small groups or individually, and placing them in an idyllic-looking in an idyllic-looking setting.
Like Robinsons through his filter of the absurd, Nannini presents us with characters who travel their own characters who follow their own path of transformation: from sailors to shipwrecked sailors and from shipwrecked to and from castaways to islanders. The island represents a zero point, a promise of wellbeing that will
The island represents a zero point, a promise of well-being that will yield its best results depending on the dynamics that are set in motion.
“The Happy Islands” is thus a reflection on community and individuality, on fragmentation, fragmentation, fragmentation, fragmentation and fragmentation. individuality, on fragmentation, isolation and integration in a scenographic space which is reduced to the space that is reduced to the essentials in order to reveal the forms of relationship.
